Jan 07 2010

It Came From The Video Store – Troll

Category: Cinema In My Eyesdryvetyme @ 07:00

Tired of trips to crowded theaters full of noisy kids and overpriced food? Had your fill of vapid reality shows on TV? Wondering what to stock your Netflix queue with? Every week, Robert Saucedo’s “It Came From the Video Store” will point you in the direction of a movie that is worth seeing and should be available in a video store near you.

Troll

Maybe it’s because I’ve seen Troll 2, a film that defines bad movie-making, but I just didn’t think Troll, the original 1986 film, was that bad. If anything, I thought the film was a clever, if cheesy, fantasy film that’s perfect for children.
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Dec 17 2009

It Came From The Video Store – Mulva

Category: Cinema In My Eyesdryvetyme @ 12:00

Tired of trips to crowded theaters full of noisy kids and overpriced food? Had your fill of vapid reality shows on TV? Wondering what to stock your Netflix queue with? Every week, Robert Saucedo’s “It Came From the Video Store” will point you in the direction of a movie that is worth seeing and should be available in a video store near you.

Mulva Zombie Ass Kicker

Wow. Just wow.

Chris Seaver writes, directs and co-stars (in blackface, no less) in the undeniably bad film, Mulva: Zombie Ass Kicker, the best (and worst) movie that I’ve ever seen involving a teenage dorkess, a minstrel show reject and a disco monkey. Seaver seemingly sought to make an hour-long farce of a film filled to the brim with ill-conceived ideas, shoddy production work and over-the-top acting. In those regards, he succeeded wildly.
Continue reading “It Came From The Video Store – Mulva


Dec 10 2009

It Came From The Video Store – UltraChrist!

Category: Cinema In My Eyesdryvetyme @ 07:00

Tired of trips to crowded theaters full of noisy kids and overpriced food? Had your fill of vapid reality shows on TV? Wondering what to stock your Netflix queue with? Every week, Robert Saucedo’s “It Came From the Video Store” will point you in the direction of a movie that is worth seeing and should be available in a video store near you.

Ultrachrist

Religious satire is a tricky act to undertake.

You can’t be overly critical of anybody’s beliefs or you will come off as a mean-spirited or hurtful gasbag. You can’t be overly preachy or highfalutin with your message unless you want to drive away your potential audiences with burning torches of boredom. And, perhaps most importantly, you don’t want to be overly goofy if you want to be taken seriously as a movie with a message.

Ultrachrist, a hero who doesn’t have nearly as cool of a costume as Bibleman, is the star of Ultrachrist! a movie that never successfully decides what it wants to be and, in the end, resigns itself to an embarrassment of excess. A tongue-in-cheek slapstick spoof of Robocop with a recently returned Jesus Christ as a spandex-wearing superhero on a quest to rid the world of sin and spread his ministry, the movie is, for the most part, amateurish, yet charming, fun.
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Dec 03 2009

It Came From The Video Store – Sealed With A Kiss

Category: Cinema In My Eyesdryvetyme @ 07:00

Tired of trips to crowded theaters full of noisy kids and overpriced food? Had your fill of vapid reality shows on TV? Wondering what to stock your Netflix queue with? Every week, Robert Saucedo’s “It Came From the Video Store” will point you in the direction of a movie that is worth seeing and should be available in a video store near you.

Romeo and Juliet Sealed With A Kiss

Imagine if you will, a cartoon version of William Shakespeare’s Romeo and Juliet. Now imagine that instead of young teenagers falling in love before they meet a tragic end, you have a story about young seals in love. Now image that, snuggled amidst the tragedy of Shakespeare’s play, you have the worst puns, pratfall-based comedy and bizarre half-assed musical numbers this side of William Shatner on Prozac.

There’s really no need to imagine, because Phil Nibbelink has created (apparently single-handedly) such a movie. Romeo And Juliet: Sealed With A Kiss translates a surprisingly large amount of Shakespeare’s classic play, about two star-crossed lovers, into a cheesy, cell-animated movie about seals. Romeo, a brown seal, has fallen for Juliet, a white seal. Torn apart by their seal races’ hatred for each other and the scheming unwanted romances of a jealous elephant seal (apparently the prince of the ocean), Romeo and Juliet strive to find a way to be together — at all costs.

A literally last-minute deus ex machina happy ending saves this film from being one of the most awkward children’s movies ever made. Imagine having to explain to your toddler why Romeo and Juliet killed each other because they couldn’t be together.

Just because the film ends on a happy note, though, doesn’t mean that there still plenty of pretty traumatic moments in the film. There are still plenty of apparent deaths to traumatize your little ones. And if the seemingly tragic end of cute and cuddly seals isn’t enough to set your child off on a crying fit, there are the absolutely horrible music numbers sprinkled throughout the film.

There are slow, spoken word doo-ops, bizarre quasi-raps, Shatner-esque Sinatra impressions and a completely inappropriate and out-of-place rendition of “Twinkle Twinkle Little Star.”

Speaking of inappropriate, the story introduces a character named Kissy the Kissing Fish that serves as the film’s proxy for any annoying children you might be lacking while watching the film. Much like real children do during movies, Kissy the Kissing Fish frequently makes unwanted ear-grating observations about the film’s plot — seemingly to help children understand some of the nuances about Shakespeare’s story. Apparently, the fish is voiced by the writer/director/animator’s daughter so I guess I can understand why she gets so much screen time. It doesn’t make the character any easier to stand, though.

Watching the film, I was struck by two things: a morbid curiosity about whether or not the filmmaker was actually going to end the movie with the two seals killing themselves and the observation that the movie was really about interracial dating. Instead of just having the main characters’ romance frowned upon by family members, the filmmaker chose to have all the ocean’s residents disgusted by the idea of the two seals, one brown and one white, dating. As one who is strongly against intolerance however below the sea level it may be, I can only hope for the best for my new seal friends as they venture out in their journey of color-blind love.

Romeo And Juliet: Sealed With A Kiss still sucked though.


When not watching movies he is clearly not the intended audience for, Robert Saucedo is an occasional freelance writer whose work appears regularly in the Bryan/College Station Eagle, Inside Pulse — Movies, and is now available in binary code for you nerds. Visit him on the web and read about his “Year of Bad Movies” at The Carrying On of a Wayward Son.


Nov 23 2009

The Twilight Saga: New Moon

Category: Cinema In My Eyesdryvetyme @ 09:00

The Twilight Saga: New Moon
Director: Chris Weitz
Screenplay: Michelle Rosenberg
Based upon the novel by Stephanie Meyer

New Moon

I’m going to be upfront here: I found the initial offering in this series to be mildly entertaining. In my review of Twilight, I talked about how it was easy to see what made the books so popular: the story is basically a chaste, ultra-modern take on familiar, archetypal themes of forbidden love in the face what is considered “right” by popular society. As in, it’s the sort the stuff that the romantics amongst us eat up with a spoon on a regular basis; thus, on principal alone, it’s difficult to dismiss people who find those motifs appealing, because, to do so, I’d have to ignore a rather prodigious chunk of classic literature.

So, I entered my viewing of New Moon ready to be assaulted once again by rather superfluous dialogue about unending, undying love longing to be fulfilled. I was willing to set aside my cynicism for a bit in the hopes that my inner romantic would be appeased (he can be quite annoying at times) by a gaggle of teenagers mooning over each other. Wooden acting that bows obsequiously to the heavy-handed source material? Bring it on.
Continue reading “The Twilight Saga: New Moon


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